- A multi-layered look at this essential wine, beautifully designed to bring the region to life on the page.
- Contributions from top Burgundy writers: Jasper Morris MW, Allan Meadows, Raymond Blake, Kermit Lynch, Jeannie Cho Lee MW, Hugh Johnson, Margaret Rand, Serena Sutcliffe and many more, including Evelyn Waugh.
- The fascinating history and Burgundy's place in the world today, and its aspirations for the future.
- Full of stories about the innovators and characters.
- Next in the series after On Champagne, one of 2023's wine books of the year in Sunday Telegraph and Washington Post.
Burgundy is France's most prized and prestigious wine region today as well as being one of its oldest and most traded, if not always by the English. Its wines, to quote Jay McInerney who contributes, are "for lovers, lunatics and poets..." and are the textbook definition of what terroir is all about. Villages mere meters apart produce wines of startlingly different personalities, and it is one of the rare regions in Europe whose red and white wines are equally celebrated. For all of its precious history it is also a region at the forefront of vinous innovation, with many winemakers certified as biodynamic. It is home to some of the world's most famous wine estates, and its top wines are all made from just one red and one white grape, yet the range of wine styles across the region, from Chablis in the north to Beaujolais in the south is significant. On Burgundy explores all of these themes and ideas with contributions from many of the world's top wine writers, looking at the kings, popes, mavericks and pioneers who have made wine in this region for generations.
Many initiatives to support women were begun in the late 1800s, but the Royal School of Needlework (RSN) is one of the few that remain. This initiative was born from the desire of three women - Princess Helena, Lady Victoria Welby and Lady Marian Alford - to popularize the lost art of ornamental needlework and place it on a par with other decorative arts, such as painting and sculpture. Their other, yet no less important goal was to provide employment for women compelled to earn their own livelihood. Though women are no longer so limited in occupational options, the RSN has been keeping traditional embroidery techniques alive for a century and a half. An Unbroken Thread tells the story from the RSN's founding in 1872 to the current day. It highlights key people, royal and other special commissions, the changing fortunes of the school as fashions changed and the approach to teaching hand embroidery, as well as bringing attention to the role and position of the RSN historically and today, associating with everyone from society ladies and theater impresarios in the late 19th century to working with fashion designers Patrick Grant, Nicholas Oakwell and Alexander McQueen, and architects in the 21st century. First published to coincide with the RSN's 150th anniversary, this revised edition details the most recent projects worked by the RSN, showcasing their skilful work on regalia for the coronation of Their Majesties King Charles III and Queen Camilla - The King's Robe of State, The Queen's Robe of Estate, The Anointing Screen, The Stole Royal and Girdle, The Chairs of Estate and The Chairs of State.
Champagne is never a simple glass of fizz... As soon as the cork flies, the first sip reveals a wine of fascinating complexity. For even the most modest non-vintage cuvee, a bevy of blending decisions, multi layers of history and the incalculable climate of this northern corner of France all come into play. In On Champagne the thoughts, opinions and conclusions of the world's finest champagne writers gather to reveal this wine's action-packed trajectory from the myth of its accidental discovery - not in France, we find, but in the cider cellars of England - to the development of a high-tech champagne fit for space travel. It's a journey that starts and ends with capturing that sparkle in a bottle and along the way beguiles us with the nuances of its chalky terrain, the determination of rebels from Ambonnay to Avize, and the mystery of a champagne cellar under the sea. We meet the pioneers who created the great champagnes of the past and the personalities who are 'greening' this landscape, nurturing it through climate change to shape the exquisite champagnes of the future.
Many initiatives to support women were begun in the late 1800s, but the Royal School of Needlework (RSN) is one of the few that remain. This initiative was born from the desire of three women - Princess Helena, Lady Victoria Welby and Lady Marian Alford - to popularise the lost art of ornamental needlework and place it on a par with other decorative arts, such as painting and sculpture. Their other, yet no less important goal was to provide employment for women compelled to earn their own livelihood. Though women are no longer so limited in occupational options, the RSN has been keeping traditional embroidery techniques alive for a century and a half.
Published to coincide with the RSN's 150th anniversary, this book will tell the story of the RSN from its founding in 1872 to the current day. It will highlight key people, royal and other special commissions, the changing fortunes of the school as fashions changed and the approach to teaching hand embroidery, as well as bringing attention to the role and position of the RSN historically and today, associating with everyone from society ladies and theatre impresarios in the late 19th century to working with fashion designers Patrick Grant, Nicholas Oakwell and Alexander McQueen, and architects in the 21st century.
At one time Great Britain clothed the world. In the 1880s, when the British textile industry was at its height, 85 percent of the world's population wore clothing made from fabric produced in the mills of Lancashire. From 1910 to 1913 alone, seven billion yards of cloth were folded, stamped, labeled, and baled. Most of this output was for export, and 30 percent of it went to India.
British textile manufacturers selling into the competitive Indian market were dealing with a largely illiterate population. In order to differentiate their goods, they stamped their cloth with distinctive images-a crouching tiger or perhaps an elephant standing on top of a globe. When chromolithography came into widespread use in the late 1800s, illustrated paper labels (known in the trade as "shipper's tickets") made to appeal to the local people were added. Designed, printed, and registered in Manchester, these brightly colored images were pasted onto the pieces of cloth being sold, further helping to establish a company's brand. Hindu gods, native animals, scenes from the great Indian epics-the Mahabharata and Ramayana-and views of everyday life were common subjects. In a sense a form of premium, they provided the consumer with an additional incentive to buy the goods of a particular firm.
Labels of Empire begins with the late 19th-century heyday of British textile manufacturing and closes with Indian independence in 1947. By combining visual narrative, popular culture, and magical realism in a way never done before, this book offers an unprecedented look at the British textile industry in the time of the Raj-and its remarkably successful use of paper labels as trademarks.
